acb

Yesterday was the first day of Primavera. I saw:

• The last 30 seconds or so of Wild Nothing; I arrived at the venue a good 15 minutes before they were due to start, but hadn't factored in the ticket exchange queue. They were OK from what I could tell.


• about half of Savages set. They were doing the post-Joy Division dark-cathartic-post-punk thing, only with more danceable grooves. Is it time for another Goth micro-revival in the hipster hotspots yet?


• About half of the Tame Impala set, from some distance from the stage. Not to worry; the visuals on the big screens were pretty trippy. I imagine they'd have been even better to see whilst on psychedelic drugs, or at least not surrounded by the ever-present hipster social chatter.


• Do Make Say Think, from right near the stage. They were pretty good, being part of the post-rock generation of a decade or so ago, alongside GY!BE, Explosions In The Sky and such.


• A bit of the Dinosaur Jr. set; I wasn't really into them the first time around (my dislike of grunge and its aesthetic of shittiness sort of left large areas of 90s alternative underexplored for a while; I never got into Pavement either). I recognised one song they did (it seems to have been a GenX slacker anthem of sorts), and then they went into their cover of The Cure's Just Like Heaven. They must have made a lot of early-middle-aged people wistfully happy.


• Part of The Postal Service, who were better than I expected. Their material works better with live drums, guitars and such added; one song (This Place Is A Prison) sounded like, if you only added 2-3 minutes to the end, it'd be a Cure song; another one (a new one perhaps, seemingly about tagging things on social media) sounded a bit like New Order minus Hooky (or perhaps The Other Two plus Barney). They, of course, did all the crowd-pleasing romantic-comedy-for-robots songs they're loved for. Is the female vocalist in the duet Zooey Deschanel, by the way?


• Computer Magic; a female singer playing keyboards (or one keyboard; the other one, the big synth with lots of knobs, seemed to be controlled by the MacBook, though she tweaked the knobs from time to time), along with a drummer. They were fairly decent, though not life-changing; I seem to recall their material having more rough edges a few years ago, but here it was polished electropop.


• A few songs by Dead Skeletons. A new Icelandic band, sort of like a gothier Singapore Sling.

And also a bit of Deerhunter, Grizzly Bear, Fucked Up, Four Tet (who sounded more housy and less noodly than I remember) and Simian Mobile Disco. I left before Fuck Buttons and Animal Collective, though.