acb: (mornington crescent tube)
I've recently gotten into the habit of going for evening walks, typically after eating dinner. Which is easy enough to do in the midsummer, when the sun sets shortly before 10, and one often has a glorious sunset, or at least the wistful poignancy of the day's last rays, beckoning one out of one's room and into the streets. Which, I guess, is one of the advantages of living far from the equator (in the summer, anyway).

Today was a particularly splendid sunset; see below for evidence:
Photos )

photos

Jan. 17th, 2006 06:10 pm
acb: (pint)
and a few photos )
acb: (mornington crescent tube)
The sky looked very blue this afternoon. I was expecting a black Mordorian pall swallowing the sky, thanks to the Buncefield* fuel depot explosion and the headlines about it. Chances are it was still full of toxic particles; I wonder how many normal London days' worth of life-shortening power was in the pollution today.

* What is a bunce anyway? Is it like a dunce, a ponce or a nonce?
acb: (beatnik)
  • Yesterday, I went to Banksy's recent exhibition, Crude Oils, at 100 Westbourne Grove. (It's on until Monday.) It basically consists of "remixed" oil paintings, as seen through his characteristically cynical sensibility; think 19th romantic landscapes with police incident notices, CCTV cameras and shackled and hooded Iraqi prisoners and such. Oh, and the gallery was crawling with live rats. I've written more about this here, and there are photos here.
  • Last night, I went to the Club AC30 gig at the Water Rats, seeing a few bands of a shoegazey stripe. I saw only part of Sleepless's set, though they were OK. Sennen were good; they sounded a bit like a cross between Season and the Underground Lovers at their most krautrocky. Then there were Malory; they're a German band who appear to have been very much influenced by Slowdive. One could probably describe them as two parts Slowdive and one part Kraftwerk (not because they're German or their use of electronics (which is sporadic) but because of the precision of their music; their drummer even plays from a click track). Finally, Ulrich Schnauss went up and played some tracks, mostly new ones. Much of his tracks seemed to be coming from a PowerBook, though he was playing melodies on a keyboard over them, and there was a female vocalist/guitarist playing along with him. It wasn't exactly rock'n'roll, but it was good. I ended up going home with pockets full of CDs.
  • The Nathan Barley DVD turned up in the post this morning, and it's well bum. Even though the booklet that comes with it is essentially a Nathan Barley-branded pisstake on Banksy. More about that in my blog.
  • This afternoon, I spent some time wandering around Canonbury/Newington Green, which is quite a pleasant area. I was taking photos of a plaque-shaped hole in a fence post when a boho-looking black dude saw me with my camera and spontaneously started striking poses. It turns out he's a bit of a local character there, a DJ and a youth worker. I suspect that that area could be the London equivalent of North Fitzroy/East Brunswick.

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