Just writing to say: Machine Translations' "Wolf on a String" EP/album is a work of great beauty. It has everything from glitchy beats to hauntingly melancholy melodies, from lush string arrangements to understated vocals. It'll probably be one of my records of the year.

A copy of Den Baron's The Soundtrack Of My Life arrived in the post last night. I ordered it on the strength of various tracks I had heard around the place (the Airpop Terminal 2 compilation that was everywhere for a while, and the Seven Summers: International Pop Vol. 2 compilation).

It's quite decent summery jangly bossa-pop; a bit like the Sounds of Leamington Spa compilations or various Sarah bands, with a few 60s soul influences, some synth strings and the odd thrift-shop keyboard. It's not too far from Spearmint (who are also on Apricot outside of the UK). It has its ups and downs, and the vocals sound a bit awkward in places, though that's all C86, innit? The singer's German accent (think thin indie-boy vocals, not sternly Teutonic goth-metal) adds to the C86-ish shambolicity of the package.

When I get back into DJing at indie-pop nights (possibly when Tigermilking gets back off the ground), I'll probably spin some tracks from this; alternatively, I could see about sneaking a run of twee jangle-pop into a Lounge AC30 set (once that gets out of hiatus); late in the set, when people have had a bit to drink, one could probably get away with a lot worse.

The first My Favorite album, Love at Absolute Zero, arrived in the mail today. It's similar to The Happiest Days Of Our Lives/the Joan of Arc trilogy: a combination of synthpop keyboards, live drums, gloriously jangly guitars, the odd dub influence, upbeat pop tunes and beautifully heartbreakingly poetic lyrics, like some combination of OMD, New Order and The Smiths, only with better songwriting than most, if not all, of those. (IMHO, as a songwriter, Michael Grace Jr. holds his own alongside 1980s Morrissey quite comfortably.)

My Favorite are increasingly living up to their name in my book. There are bands you like, and then there are bands you feel passionately about, see whenever they play (assuming they still exist), whose CDs you end up buying in large quantities to give to people and whose tracks end up on mix tapes; the bands which are transcendently brilliant because their music says something profound (whether with words or otherwise). For me, there have been a handful of the latter: The Paradise Motel, Slowdive, The Field Mice and ninetynine. And it looks like there is now another one.