acb: (passionate subscriber)
The 3RRR summer break is over, which means that the normal breakfast team is back. Which is a pity, because I much preferred Richard Watts' summer guest breakfast show.

Watts is a writer, spoken-word artist, DJ and regular of the Melbourne arts scene; when he spoke, it was thoughtfully, and about things from the arts to current issues. He had other RRR presenters stepping in to co-present, and they were similarly intelligent people like Alicia Sometimes. Though most of the show wasn't talk but music; the music was an eclectic selection, spanning decades, and I don't recall him playing the same track twice; the music was radio programming at its finest, in the same tradition as John Peel.

The three regular breakfasters, however, are the typical crew of professional buffoons, joking and guffawing about current news, sports and pop culture, in a marginally more intelligent way than on commercial radio. The volume of chatter exceeds that of music, and the music is repetitive: they apparently bring in a handful of CDs, choose one track from each and play that week in, week out. I cannot count the number of times I've heard, for example, Wolfmother's "Apple Tree" or Danger Doom's "Space Ho's" (which they played today again) on the show in the past few months. (Not that these are necessarily bad songs, but if I wanted to hear the same "alternative" tracks over and over, I'd buy a FM radio and tune into Xfm or something.)

I'm thinking of reprogramming my radio recording system to skip the breakfast show and wake me to different programmes.
acb: (beatnik)
  • Yesterday, I went to Banksy's recent exhibition, Crude Oils, at 100 Westbourne Grove. (It's on until Monday.) It basically consists of "remixed" oil paintings, as seen through his characteristically cynical sensibility; think 19th romantic landscapes with police incident notices, CCTV cameras and shackled and hooded Iraqi prisoners and such. Oh, and the gallery was crawling with live rats. I've written more about this here, and there are photos here.
  • Last night, I went to the Club AC30 gig at the Water Rats, seeing a few bands of a shoegazey stripe. I saw only part of Sleepless's set, though they were OK. Sennen were good; they sounded a bit like a cross between Season and the Underground Lovers at their most krautrocky. Then there were Malory; they're a German band who appear to have been very much influenced by Slowdive. One could probably describe them as two parts Slowdive and one part Kraftwerk (not because they're German or their use of electronics (which is sporadic) but because of the precision of their music; their drummer even plays from a click track). Finally, Ulrich Schnauss went up and played some tracks, mostly new ones. Much of his tracks seemed to be coming from a PowerBook, though he was playing melodies on a keyboard over them, and there was a female vocalist/guitarist playing along with him. It wasn't exactly rock'n'roll, but it was good. I ended up going home with pockets full of CDs.
  • The Nathan Barley DVD turned up in the post this morning, and it's well bum. Even though the booklet that comes with it is essentially a Nathan Barley-branded pisstake on Banksy. More about that in my blog.
  • This afternoon, I spent some time wandering around Canonbury/Newington Green, which is quite a pleasant area. I was taking photos of a plaque-shaped hole in a fence post when a boho-looking black dude saw me with my camera and spontaneously started striking poses. It turns out he's a bit of a local character there, a DJ and a youth worker. I suspect that that area could be the London equivalent of North Fitzroy/East Brunswick.

September 2015

S M T W T F S
  12345
6 789101112
13141516171819
20212223242526
27282930   

Syndicate

RSS Atom

Most Popular Tags

Active Entries

Style Credit

Expand Cut Tags

No cut tags
Page generated Aug. 20th, 2017 07:01 pm
Powered by Dreamwidth Studios