May. 25th, 2013

acb: (wayne kerr)
On day two of Primavera:

  • Getting into the venue was a lot quicker; I suspect the bulk of the ticket exchange queues yesterday were people with festival passes.

  • The first band I saw was Ghostdigital. They're from Iceland and consist of a guy ranting/monologuing about existential crises/struggles with inner demons over wonky electro beats and choppy guitars provided by the other two guys (who look a bit younger and were both wearing sunglasses). The frontman reminded me a bit of Flacco from D✭A☭A✝S Kapital, not so much because of his appearance but because of his monologues and their delivery.

  • After a bit of that, I adjourned to the next stage to catch a bit of Kurt Vile; it was pure Americana for indiekids; a bit of Springsteen/Mellencamp-style rock, and a cigarettes-and-whiskey alt.country drawl. (Btw, is alt.country still A Thing, btw? Because if it did, it has outlived USENET, from which it got the orthography of its name, being A Thing by about a decade and a half.)

  • After that, I serendipitously chances across a Spanish indiepop band named Wild Balbina, who were playing in one of the smaller branded spaces next to the main thoroughfares. They were fronted by a female bass player in a polkadot dress, played a sort of jangly/skronky indiepop and reminded me a bit of Bidston Moss (I'm showing my age here...) or a skronkier Seapony. I ended up picking up their 7"; unsurprisingly, they're on Spanish indiepop label Elefant.

  • I didn't see Daniel Johnston, who was playing in the Auditori Rockdelux next to the venues proper, because separate tickets were required and the queue was literally a kilometre or so long, and because I'm seeing him at the Barbican soon.

  • Next, I chanced across a brilliant Portuguese band named PAUS; they had two drummers, driving guitars/bass and synths, and an amazing sense of energy, a bit like Battles crossed with Mogwai at their most intense, and then turned up to 11. I ended up getting their CD.

  • After that, I had something to eat and then waited for half an hour near the stage for the Jesus and Mary Chain. They were great; at first, they played mostly songs from their latter albums (I'm guessing; I didn't recognise any but Sidewalking), but then they played a few from Darklands and Psychocandy; when they did Just Like Honey, Bilinda Butcher came out to do guest vocals.


I went home after that, on account of having an earlyish flight the following day. I wouldn't mind having seen Glass Candy (whom I saw at ATP a few years ago) and Swans, though probably wouldn't have bothered with Blur.

September 2015

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